So, it wasn’t enough to simply fly the camera on the Gitzo tripod on a moving vehicle and fire it remotely. Had to do some small flash lighting as well. It was necessary. The windy roads out in Nevada rarely lined up perfectly with the fading sun, making available light a dicey approach. I also wanted the power of flash duration to make sure Joli Irvine stayed sharp, while the shutter speed allowed the road to blur. We started as…